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Actor Billy Crudup had already been cast as Osterman. DesJardin urged Snyder to cast a body on which animators could base Manhattan's ultra-ripped physique. All the cameras were synced so animators could triangulate Crudup's performance in-frame. Advertisement - Continue Reading Below. Or that he becomes four versions of himself. DesJardin had worked with Travers on The Matrix , so he approached Travers to assist in the creation of Watchmen 's only superhero with true super powers. Crudup's suit was also equipped with LEDs to create Manhattan's diffuse blue glow.
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Travers had to read the graphic novel in a day. To capture Crudup's performance, animators painted his face with hundreds of black markers that allowed them to track his expressions through video, then used that data as a jumping-off point to hand-animate Manhattan's face. Actor Billy Crudup had already been cast as Osterman. DesJardin urged Snyder to cast a body on which animators could base Manhattan's ultra-ripped physique. Billy's performance is the source material, but Doc is an all-digital character.
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His feet would have been 6 inches into the floor, but it didn't matter because the framing worked. Manhattan was created, filmmakers placed him over Crudup in each scene, only digitally removing the actor when his movements didn't quite match those of his CGI counterpart. Manhattan wouldn't exist without his atomizing trip to the Intrinsic Field Center where he is initially blown apart. The result was a unique interaction between the light--Manhattan's glow--and the rest of the set. Typically, motion capture is the basis for the movement of CG characters, but both DesJardin and Travers knew that wouldn't work in this case.
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